Monday, December 5, 2011

Nikon V1 Review

Nikon V1 Review Tube. Duration : 6.52 Mins.


livetechau.com - Today we take a look at the Nikon 1 V1. This is one of the 2 new Nikon interchangeable lens cameras and aim to provide great image quality in a compact body. The high ISO performance is great but the lack of lenses and PASM switches prove an annoyance. It scores 4.5 Features Below _______________________ Specifications Type Type of camera Digital camera with interchangeable lenses Lens mount Nikon 1 mount Effective angle of view Approx. 2.7 x lens focal length (35 mm format equivalent); Nikon CX format Effective pixels Effective pixels 10.1 million Image sensor Image sensor 13.2 mm x 8.8 mm CMOS sensor Dust-reduction system Image sensor cleaning Storage Image size (pixels) Still images (still image and Smart Photo Selector modes, aspect ratio 3 : 2) 3872 x 2592 2896 x 1944 1936 x 1296 Still images (movie mode, aspect ratio 16 : 9) 3840 x 2160 (1080/60i) 1920 x 1080 (1080/30p) 1280 x 720 (720/60p) Still images (Motion Snapshot mode, aspect ratio 16 : 9) 3840 x 2160 File format NEF (RAW): 12-bit, compressed JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16)compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats Picture Control system Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls Media SD (Secure Digital), SDHC, and SDXC memory cards File system DCF (Design Rule for Camera File ...

Keywords: Nikon, Review, live, tech, australia, live tech australia, Live Tech Au, DSLR, Nikon 1, Nikon 1 V1, V1, SLR, digital, digital camera, Canon, Mobile Device, Sydney, Canon (company), 720p, Panasonic, Camcorder, 1080p, Lens, Samsung, Photography, Footage, Eos, Mini, livetechaustralia

Digital Camera Photo Tip: Mug Shot To "Nice Shot!"

I'd like to talk to the digital compact camera shooters first. Guys and gals, you don't have an awful lot of options but you do have one or two. Compact cameras with very few exceptions provide only a small flash on the front of the camera. The flash is forward facing and very close to the lens, there is no way to change that. However you can get some relief by softening the light output.

I have found that a home remedy is best for compact camera flash. This solution is useful for times when we shoot in living room sized spaces. Simply tape a small piece of white gauze in front of the flash. Be careful that you don't use too many layers of gauze! This will cut down on the effective range of the flash but it will get rid of the spotlight effect and provide a softer illumination. I have also used waxed paper as the diffusing material and it can be just as effective on some cameras.

Interchangeable Lens Compact

While these suggestions for the compact camera owner aren't very high-tech they do get the job done. As a side note this kind of flash diffuser is very helpful when taking pictures of babies! Because we tend to get very close to infants when we shoot, the naked flash can be very overwhelming. A little diffusion will always yield a better picture.

Digital Camera Photo Tip: Mug Shot To "Nice Shot!"

On to digital single lens reflex camera owners. As a group DSLR photographers have a universe of choice when it comes to flash control. Starting with the basics, let's look at your camera's built-in flash.

I'm going to begin talking about built-in flash by offering my own opinion. One of the most misguided features added to SLR's back in the 90's was built-in flash. They are under powered and they provide light that is not one bit better than a compact camera flash. Having said that I also must say that they do exactly what they were intended to do: provide light for taking snapshots indoors or adding fill light outdoors.

Just like the flash on a compact digital camera a DSLR's built-in flash cannot be moved or positioned. Even though there is a little more separation between the flash and the lens they still provide very direct, very flat light for people pictures. The good news is that the same diffusion concepts used on compact cameras will also work for DSLR's. However we aren't likely to get good results from gauze scraps or waxed paper.

For a DSLR's built-in flash it may be best to look to manufactured solutions. There are diffusers made by companies such as Promaster or Gary Fong that are very effective and safe to use on our cameras. Safe? Yes, these products won't damage the camera's hotshoe with tape residue or rest too close to the flashtube where melting could become a problem. Cleaning melted waxed paper off of a DSLR flash isn't easy or fun! And just as mentioned in the section on compact cameras a flash diffuser will reduce the working range of the flash.

There is a better way to immediately improve your people pictures. Add a hotshoe mounted flash to your DSLR. Adding this one accessory can make all the difference between mug shots and great shots.

The very first benefit comes from the increased distance between the camera's lens and the flash tube. Even these few added inches benefit your images because the lighting isn't aimed like a spotlight at the subjects face. Red eye is all but eliminated and skin tones can look more lifelike.

Hotshoe mounted camera flashes come from many manufacturers. Prices can be as low as .00 to well over 0.00. Usually a very good flash can be had for around 0.00 to 0.00. As the price goes up so do the power and the feature set.

I would suggest looking for good power, tilt and swivel motion on the flash head, solid construction and compatibility with your specific digital camera. And here is the rub: there are a lot of flashes out there that say they work with Canon or Nikon or Pentax, but are they compatible with digital versions of those brands? The answer must be "Yes" or it won't work on your rig. Avoid getting ripped off, if the deal looks so much better than the rest of the offerings chances are there is a reason.

Another big plus to adding a camera flash is that doing so opens up a thousand possibilities for diffusing the light - and diffused light is beautiful light. Believe it or not, using flash diffusers is one of the easiest ways to add creativity without adding technical mumbo jumbo. All the photographer has to do is select a diffuser, attach it to the flash and shoot.

Each flash diffuser produces a slightly different lighting pattern, a lighting signature if you will. Some work well at filling larger rooms but then overwhelm in your living room. Others may produce a glamour-like lighting that you just don't care for. The packaging or online descriptions of the diffusers will steer you in the right direction. Odds are the photographer will own several different diffusers over time, each with its specific purpose or look.

Camera flash and all of the available accessories provide tremendous creative opportunity and possibility. The immediate improvement to our people pictures by adding a hotshoe mounted camera flash is just the tip of the iceberg. In the future we will explore flash brackets, off-shoe flash cords and much more. For right now though, take the next step and add a camera flash to your outfit. Move from mug shots up to "Nice shot!" in one easy step.

Digital Camera Photo Tip: Mug Shot To "Nice Shot!"

Sunday, December 4, 2011

All Those Megapixels - A Digital Camera Resolution Comparison

Are you thinking of buying a new digital camera? Are you confused by all the choices in camera resolution? Is the megapixel rating the most important factor you should consider in buying a digital camera? How many megapixels are enough? Is there such a thing as too many megapixels? How do megapixels and digital camera resolution compare to film camera resolution?

To put it simply, resolution is the amount of detail that your digital camera records of an image. A digital image is made up of pixels. For digital cameras, the number of pixels is measured just like your computer monitor. As digital camera resolutions have gotten higher, w will e now multiply the horizontal and vertical values for one total value, which is usually rounded out to the megapixel count. Some of the first digital cameras had resolution of 480 x 640 pixels. This is the same number of pixels in the computer monitor standard VGA. Multiplying 480 x 640 would end up with a resolution of about .3 megapixels. This was touted by the digital camera industry as photo-quality, but it is far from it. Most web cams support this resolution.

Interchangeable Lens Compact

Next up in computer monitor resolution is SVGA or 600 x 800. This works out to about .5 megapixels. Still not there.

All Those Megapixels - A Digital Camera Resolution Comparison

Currently, one of the most popular computer monitor settings is 1024x768. This is still less than one megapixel, it is also the resolution that we first saw consumer digital cameras at. This is also a common resolution for video projectors. The one megapixel digital cameras have a resolution of 1280 by 960. If you were to make a 4 x 6 print from an image this size, it might compare in quality to that of an old 110 camera, or APS camera.

When we reach the two megapixel mark, or resolution of 1600 x 1200, you can get a fairly nice print. This gives you a print size of 4 x 6 at not quite 300 dpi. However, when you make a photographic print much larger than 4 x 6, you'll be able to see the individual pixels or notice the lack of detail.

In a digital photographic print, 300 dots per inch is considered the standard for small prints. Some photographic printers print at less than 250 dpi. Some a little bit more than 300 dpi. While there is little bit of leeway here, digital prints at 300 dpi will appear to have the same detail that a print made from a 35mm negative would if it were printed traditionally. This is especially important for smaller print sizes that will be viewed close-up. As we go to larger print sizes, the distance the print will be viewed from is also likely to increase. From a farther distance the eye cannot see the detail, and so the print still looks good.

A 3 megapixel camera will have a resolution of about 2048 x 1536. It is still far below that of good 35mm negative. It is not till we reach a little bit over five megapixels that digital starts to compare to 35mm in detail. A 5.3 megapixel camera has a resolution of about 3008 x 1960.

A good six megapixel camera can surpass 35mm quality in detail. This works out to just about 300 dpi in an 8 x 10 print. Since 35mm has been accepted level of quality for so long, this is the resolution I recommend people start looking at for a digital camera. The six megapixel camera will provide the same level of quality (maybe a little bit better) that your old 35mm camera gave you. A 6.3 megapixel camera has a resolution of about 3088 x 2056.

What about seven and eight megapixel cameras? An eight megapixel camera approaches the quality of the professional medium format camera. It is interesting to point out that many of the seven megapixel cameras came out after the eight megapixel cameras were introduced. It has been suggested, the reason for this is because the first generation of eight megapixel point-and-shoot cameras had a problem with noise. This was caused the small sensors used in digital point-and-shoot cameras. This problem is largely overcome now, and did not apply to the larger digital single lens reflexes. While an eight megapixel camera will provide a little bit extra information in case you want to crop up in a, since few people ever make a print larger than 8 x 10, much of this extra information is wasted. I do not recommend that the average person purchase a digital camera resolution higher than eight megapixels.

Digital cameras with resolutions of 10 to 13 megapixels are well in the quality range of good 120mm professional cameras. They create huge file sizes that require significant computer resources to work with. A 13 megapixel camera will only get approximately 55 images on a 1 GB memory card in RAW format. This makes saving and archiving images more expensive and time-consuming. There are professional digital camera systems with resolutions of 20,40, and even a hundred megapixels. Only a professional would have need of images with this high a resolution.

To summarize, I suggest that almost anybody will be happy with a camera with a six megapixel resolution. If you're really on a budget you can go down as low as five megapixels and still have detailed pictures at the sizes you're most likely to have prints made. If you're an advanced shooter or hobbyist you'll enjoy the extra room that an eight megapixel camera will give you. If you're a professional, you need a camera resolution appropriate to the job at hand.

To put it simply, resolution is the amount of detail that your digital camera records of an image. A digital image is made up of pixels. For digital cameras, the number of pixels is measured just like your computer monitor. As digital camera resolutions have gotten higher, w will e now multiply the horizontal and vertical values for one total value, which is usually rounded out to the megapixel count. Some of the first digital cameras had resolution of 480 x 640 pixels. This is the same number of pixels in the computer monitor standard VGA. Multiplying 480 x 640 would end up with a resolution of about .3 megapixels. This was touted by the digital camera industry as photo-quality, but it is far from it. Most web cams support this resolution.

Next up in computer monitor resolution is SVGA or 600 x 800. This works out to about .5 megapixels. Still not there.

Currently, one of the most popular computer monitor settings is 1024x768. This is still less than one megapixel, it is also the resolution that we first saw consumer digital cameras at. This is also a common resolution for video projectors. The one megapixel digital cameras have a resolution of 1280 by 960. If you were to make a 4 x 6 print from an image this size, it might compare in quality to that of an old 110 camera, or APS camera.

When we reach the two megapixel mark, or resolution of 1600 x 1200, you can get a fairly nice print. This gives you a print size of 4 x 6 at not quite 300 dpi. However, when you make a photographic print much larger than 4 x 6, you'll be able to see the individual pixels or notice the lack of detail.

In a digital photographic print, 300 dots per inch is considered the standard for small prints. Some photographic printers print at less than 250 dpi. Some a little bit more than 300 dpi. While there is little bit of leeway here, digital prints at 300 dpi will appear to have the same detail that a print made from a 35mm negative would if it were printed traditionally. This is especially important for smaller print sizes that will be viewed close-up. As we go to larger print sizes, the distance the print will be viewed from is also likely to increase. From a farther distance the eye cannot see the detail, and so the print still looks good.

A 3 megapixel camera will have a resolution of about 2048 x 1536. It is still far below that of good 35mm negative. It is not till we reach a little bit over five megapixels that digital starts to compare to 35mm in detail. A 5.3 megapixel camera has a resolution of about 3008 x 1960.

A good six megapixel camera can surpass 35mm quality in detail. This works out to just about 300 dpi in an 8 x 10 print. Since 35mm has been accepted level of quality for so long, this is the resolution I recommend people start looking at for a digital camera. The six megapixel camera will provide the same level of quality (maybe a little bit better) that your old 35mm camera gave you. A 6.3 megapixel camera has a resolution of about 3088 x 2056.

What about seven and eight megapixel cameras? An eight megapixel camera approaches the quality of the professional medium format camera. It is interesting to point out that many of the seven megapixel cameras came out after the eight megapixel cameras were introduced. It has been suggested, the reason for this is because the first generation of eight megapixel point-and-shoot cameras had a problem with noise. This was caused the small sensors used in digital point-and-shoot cameras. This problem is largely overcome now, and did not apply to the larger digital single lens reflexes. While an eight megapixel camera will provide a little bit extra information in case you want to crop up in a, since few people ever make a print larger than 8 x 10, much of this extra information is wasted. I do not recommend that the average person purchase a digital camera resolution higher than eight megapixels.

Digital cameras with resolutions of 10 to 13 megapixels are well in the quality range of good 120mm professional cameras. They create huge file sizes that require significant computer resources to work with. A 13 megapixel camera will only get approximately 55 images on a 1 GB memory card in RAW format. This makes saving and archiving images more expensive and time-consuming. There are professional digital camera systems with resolutions of 20,40, and even a hundred megapixels. Only a professional would have need of images with this high a resolution.

To summarize, I suggest that almost anybody will be happy with a camera with a six megapixel resolution. If you're really on a budget you can go down as low as five megapixels and still have detailed pictures at the sizes you're most likely to have prints made. If you're an advanced shooter or hobbyist you'll enjoy the extra room that an eight megapixel camera will give you. If you're a professional, you need a camera resolution appropriate to the job at hand.

All Those Megapixels - A Digital Camera Resolution Comparison

Sony NEX-3 & NEX-5 Hands-On

Sony NEX-3 & NEX-5 Hands-On Tube. Duration : 6.73 Mins.


The Sony NEX series is the latest addition to the growing field of compact large-sensor, interchangeable lens cameras. Despite its huge APS sensor, the Sony NEXs are the smallest such cameras. The Camera Store's Chris Niccolls ventured out to Banff to take these camera through their paces.

Tags: Sony, NEX-3, NEX-5, 16mm F2.8, Compact, Interchangeable Lens, 1080, Chris Niccolls, Jordan Drake, The Camera Store, The, Camera, Store, TV

SIG TV - Panasonic Lumix DMC-G10K Kit with 14-42mm Lens

SIG TV - Panasonic Lumix DMC-G10K Kit with 14-42mm Lens Tube. Duration : 4.38 Mins.


Panasonic Lumix DMC-G10K Kit with 14-42mm Lens demo by Jeo Tay. The LUMIX DMC-G10 is a digital interchangeable lens camera based on the Micro Four Thirds System standard which eliminates the internal mirror structure that defines digital single-lens reflex (DSLR) cameras, thus reducing the size and weight. It offers the same high image quality as D-SLR cameras while remaining compact and loaded with user friendly features known to "point and shoot" cameras. SIGElectronics 1.866.800.8688 Richmond Hill, Pacific Mall, HeartLand Town Centre Mississauga

Tags: 鄭敬基inix.tv, 12.1, Megapixel, 4/3-type, Live, MOS, Venus, Engine, HD, II, sigelectronics

HOYA accumulated movie

HOYA accumulated movie Video Clips. Duration : 1.85 Mins.


Hoya - Japanese technology for great vision! As the leading supplier of innovative and indispensable high-tech products based upon its advanced optics technologies, Hoya is active in four fields of business: Information Technology business makes mask blanks and photomasks for semiconductor devices and liquid crystal panels, optical lenses, and glass memory disks for hard disk drives. The Eye Care provides eyeglasses and operates contact lenses retail shops, as well as makes intraocular lenses for cataract surgery. The Life Care Business provides endoscopic system. The Imaging System produces SLR/compact digital cameras and interchangeable lenses as well as digital camera lens module and microlens.

Keywords: optics, lenses, Hoya, eyes, vision, production, intraocular lenses, eyeglass frames, eyeglass lenses, glasses, mobioptika, 2009

Help Choosing the Right SLR Digital Camera

With more people getting interested in photography, there is an increase in demand for SLR digital cameras. More people want to buy SLR digital cameras but finding the right one may be a hard part. The cameras have different settings that may affect the result of the pictures. However, these setting may even make finding the right camera even harder. But getting confused on the type of camera to be bought may be avoided if you know what you want and you understand what you really need.

There are many things that must be considered in a buying a camera. One of the main considerations is the megapixel. The camera's resolution is also known as the megapixel. This means that when the camera has more pixels, the clearer and sharper the image will be. Thus, you may want to have a camera that has the greater pixel but this may be difficult since those cameras may be too expensive for you. Thus you may need to find a camera that has good pixels but it will also not hurt your budget too much. Having too high pixel count may also lead to unbeautiful images especially when the result is over pixilated.

Interchangeable Lens Compact

Also SLR cameras have interchangeable lenses. The lens that one uses may depend on the type of image that he wants to achieve. Be it a portrait, macro or a standard lens, it should be used when the situation asks for the lens type.

Help Choosing the Right SLR Digital Camera

Cheap Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras Discount Review Shop


Available at Amazon
Cheap "Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras" Discount Review Shop